MMTC friend Vanessa Walrath wandered into the Walker Art Center Sat night and emerged with this to say:
I spent the majority of my life with only corn fields and the occasional 24-hr grocery store for entertainment.Needless to say, the Twin Cities has broadened my horizons.But three years after moving here, I’m still new at this, still the last one to hear about a great new band or the next life-changing show.So if I blindly wander into a venue at which anything phenomenal is happening, it’s sheer luck.
Well, luck struck again on Saturday night, when I found an extra ticket to the sold-out 8pmWorld of Dosh at the Walker (I only specify time because, even though I thought about sliding under a seat so I could catch the 11pm show, I didn’t).Words do little justice to the experience.
For starters, I have this secret love of experimental/ambient/electronica/hip hop and a not so secret love of jazz, so if a band edges toward that end of the spectrum, I’m happy.Euphoria = Dosh and his friends.I felt like a fly on the wall in a practice space jam session – only the most beautiful, intricate, and skillful jam session I’ve ever witnessed.Each of Dosh’s “friends” held their own, and almost played in a world unto themselves - looping sounds from guitar strings, bass, percussion, baby Yamaha keyboards, etc. as Dosh manned his “rig” of keyboard, Fender Rhodes, grand piano, drum kit and a ridiculous amount of pedals and cables.They passed the melody around with ease, sometimes adding a single note or sound to create a perfect whole.
Dosh’s personal simplicity and humility (his only opening line: “Hi, everybody”) was in direct contrast to the complexity of his sound, layering beats, random sounds, chord progressions to such fullness that when his “friends” stepped back and he played 5+ min. on his own, nothing was missing.However, the final numbers, that included Andrew Bird on violin and whistle + 6 friends +Dosh were a modern symphony that left the audience on its feet (and me wishing I could fit into the garbage can and sneak into the next show).
The only thing I regretted about the experience was that I picked the 8pm performance.I felt like, in spite of the slightly unstructured nature of the music, everyone was very time-conscious, and the encore was cut-short b/c they had to get us out of there in time for the 11pm audience.But being the rule-conscious Midwesterner that I am, I respectfully filed out of the room with everyone else, thankful that Fate had once again smiled on me and allowed me to happen upon that show…
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